Sjoerd Martens

(1993, Nijmegen, The Netherlands) lives and works in Amsterdam.
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    • The last train approaches, preserving my dearest memories without being alone (2022)
    • Intermezzo (2021)
    • The Planetarium (2021)
    • My neighbor has petroglyphs
      in her backyard (2021)
    • Radioactive Bodies (2021)
    • Birds sing like the horn
      of a truck (2020)
    • Seasonshore Sequences (2020)
    • Earthskin (2019)
    • Clouds are Changing (2019)
    • Playgrounds (2019)
    • Exclusive healing energy in Zhejiang (2019)
    • Wild Chamber (2019)
    • Scenery of Japan (2018)
    • Floating cinema (2018)
    • Waves come to catch us (2018)
    • Invitation (2018)
    • Photographic archaeological research (2017)

  • Supported by Mondriaan Fund
    2020-2021
    Stipendium for Emerging Artists
—
    dima

  • Self-publish or be damned (zine, 2019)

    For the exhibition Self-publish or be damned, I’ve made a printed zine (16 pages) filled with photos from this fall captured in Sweden. Together with some flora and artifacts scans of the Earthskin project. On show from Nov 29th – Dec 21th at Academiegalerie, Utrecht.
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