Sjoerd Martens

(1993, Nijmegen, The Netherlands) lives and works in Amsterdam
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  • My neighbor has petroglyphs
    in her backyard (2021)
  • Radioactive Bodies (2021)
  • Birds sing like the horn
    of a truck (2020)
  • Seasonshore Sequences (2020)
  • Earthskin (2019)
  • Clouds are Changing (2019)
  • Playgrounds (2019)
  • Exclusive healing energy in Zhejiang (2019)
  • Wild Chamber (2019)
  • Scenery of Japan (2018)
  • Floating cinema (2018)
  • Waves come to catch us (2018)
  • Invitation (2018)
  • Photographic archaeological research (2017)


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  • Supported by Mondriaan Fund
    2020-2021
    Stipendium for Emerging Artists
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    dima
  • Series: Scenery of Japan (2018)

    In the series Scenery of Japan (2018) the scenic is brought to the table by developing digital manipulation and collage techniques. Images captured during an expedition through Central and Southern Japan, are combined in different perspectives on the same setting and through a realistic collage of photographic material. Through this technique is tried to capture not only human traces but also the poetry, energy of the environment and human presence in the image. The series is presented in the form of prints, in which a combination is used of prints on photo paper and glossy prints of collage on plexiglass and aluminum.
    • Sugi vigor (2018) by Sjoerd Martens
    • Baptism of the Biwa fruit
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