This video performance has presented at various locations: Duotoon, Lynk & Co, Fiber Festival, Tolhuistuin, La Biennale di Venezia, Microclima Venice.

'Thessa and I have known each other for some time. In this time that could be considered uncertain, this project gave us the opportunity to start research the relationship between the two of us, our natural environment, and the reflections through two different mediums. In an organic process in which the natural environment is recorded, dissected, modified, and reconnected, it carries a new home. It is a reflection in which sound reveals itself in images, and the image reveals itself in sound but over and above, continues to encourage each other. Also, it gives a new shape as an alternative for the traditional album cover, so it doesn’t disappear between the usual record collection. On both sides of our process, we have experienced the same increasing almost parallel development. Featuring that we do not criticise nor complement each other but let actions influence each other. We attach a high value to self-development within our processes. In some phases of the process, it is necessary to disengage, but at the other moment, you cannot do without each other. The beauty in this new work is that one does not exist without the other. For instance, the use of the glockenspiel and the pearlescent garage do not come out of the blue. The direct printing technique on aluminum makes the piece sculpture of our legacy, which in turn stems from the strong metal melody of the glockenspiel. I see it as a form of communication in the relationship between different elements in development.

The project ‘Birds Sing Like The Horn Of A Truck’ tests an expedition through various transformations in both analog and digital landscape. In this way, we discover the fertility of unharmed textures, pure natural colours, the serenity in harmony with remnants of artefacts, abandoned footprints, and interruptions. Both image and sound are composed of dozens of samples. These merge as a community that questions the manufacturability of our nature.'